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Print and Performance in the 1820s

Print and Performance in the 1820s PDF Author: Angela Esterhammer
Publisher: Cambridge University Press
ISBN: 1108493955
Category : History
Languages : en
Pages : 280

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Book Description
Illuminates Britain's literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.

Print and Performance in the 1820s

Print and Performance in the 1820s PDF Author: Angela Esterhammer
Publisher: Cambridge University Press
ISBN: 1108493955
Category : History
Languages : en
Pages : 280

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Book Description
Illuminates Britain's literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.

Serial Forms

Serial Forms PDF Author: Clare Pettitt
Publisher: Oxford University Press
ISBN: 0192566164
Category : Literary Criticism
Languages : en
Pages : 384

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Book Description
Serial Forms: The Unfinished Project of Modernity, 1815-1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into 'Romantic' and 'Victorian', Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.

British Nautical Melodramas, 1820–1850

British Nautical Melodramas, 1820–1850 PDF Author: Arnold Schmidt
Publisher: Routledge
ISBN: 1315529955
Category : Drama
Languages : en
Pages : 342

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Book Description
During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres with the same sentimental moments and comic interludes of domestic melodrama mixed with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays in included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from the original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further. The appendices include maps of Britain, Europe, and the East and West Indies.

Popular Print Media, 1820-1900

Popular Print Media, 1820-1900 PDF Author: Andrew King
Publisher: Taylor & Francis
ISBN: 9780415322492
Category : Language Arts & Disciplines
Languages : en
Pages : 1691

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Book Description
Popular Print Media 1820-1900 makes available a selection of articles from nineteenth-century newspapers, periodicals and books which are otherwise unavailable except in their original publications.The collection also includes a significant amount of material that highlights the complex and changing importance of women in and for the nineteenth-century media at large. The collection is made up of three volumes, divided into six sections and will cover the following themes: technology, reading spaces, influence of print, graphic media, serial fiction, periodicals and the 'popular'.Each section includes a new introduction by the editors.The editors will also include a thematic table that enables readers to pursue a specific conceptual and/or historical issue, such as the impact of serial publication upon practices of reading and authorship.

London Voices, 1820–1840

London Voices, 1820–1840 PDF Author: Roger Parker
Publisher: University of Chicago Press
ISBN: 022667018X
Category : Music
Languages : en
Pages : 299

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Book Description
London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.

Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820

Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820 PDF Author: Ruth Mack Wilson
Publisher: Oxford University Press
ISBN: 9780198164241
Category : Music
Languages : en
Pages : 332

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Book Description
This book describes for the first time the development of English liturgical chant as performed in the Church of England and transmitted to related churches in Scotland and America. This music evolved from the pre-Reformation Latin rite. The most familiar of several forms of chant is used for psalms and canticles by many choirs and congregations. Commonly known as Anglican chant, its origins have, until now, never been satisfactorily established.

The life ... of Sir Thomas Smith. 1820

The life ... of Sir Thomas Smith. 1820 PDF Author: John Strype
Publisher:
ISBN:
Category : England
Languages : en
Pages :

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The Public Intellectual and the Culture of Hope

The Public Intellectual and the Culture of Hope PDF Author: Joel Faflak
Publisher: University of Toronto Press
ISBN: 1442665750
Category : Literary Criticism
Languages : en
Pages : 304

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Book Description
The Public Intellectual and the Culture of Hope brings together a number of winners of the Polanyi Prize in Literature – a group whose research constitutes a diversity of methodological approaches to the study of culture – to examine the rich but often troubled association between the concepts of the public, the intellectual (both the person and the condition), culture, and hope. The contributors probe the influence of intellectual life on the public sphere by reflecting on, analyzing, and re-imagining social and cultural identity. The Public Intellectual and the Culture of Hope reflects on the challenging and often vexed work of intellectualism within the public sphere by exploring how cultural materials – from foundational Enlightenment writings to contemporary, populist media spectacles – frame intellectual debates within the clear and ever-present gaze of the public writ large. These serve to illuminate how past cultures can shed light on present and future issues, as well as how current debates can reframe our approaches to older subjects.

Historical and Biographical Works: The life of Sir Thomas Smith. 1820

Historical and Biographical Works: The life of Sir Thomas Smith. 1820 PDF Author: John Strype
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Confraternity and Carnevale at San Giovanni Evangelista, Florence, 1820-1924

Confraternity and Carnevale at San Giovanni Evangelista, Florence, 1820-1924 PDF Author: Aubrey S. Garlington
Publisher: Pendragon Press
ISBN: 9780918728920
Category : Music
Languages : en
Pages : 100

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Book Description
The present study introduces the activities of the confraternity in honor of the Father-Founder of the Scuole Pie and the Blessed Virgin, Fr. Costantino Paoli, and the 100 years of musical performances that it sponsored. These occasions were staples of the city's musical, religious, and social life throughout the nineteenth century. This book explores the musical history of the Florentine Scolopians, performance practices, and the repertoire, composers, and librettists involved. An annotated catalogue of the music holdings of the Biblioteca Scolopica Provinciale Firenze at San Giovanni Evangelista is also provided.